‘Really clever concept, good fun and I really liked the way the science is woven in!’ – Audience member

‘I feel grotty’ – Another Audience member

ALIC at the Bristol Improv Theatre
ALIX meets her latest data input devi- sorry, latest colleagues. | Image: Nick Moylan

After a busy 2016, Rising Ape squeezed one more event in before the end of the year. A freezing, foggy 1st of December saw a small, boisterous crowd weathering extreme elements, limited visibility and the Conan Doyle-ish Capital D dread of it all to make it down to the Bristol Improv Theatre. There, together they became the audience for, well, The Audience.

Guided by courtroom algorithm ALIX, the Audience became shaped into a cohesive unit, passing judgement on the sentence for a dramatic court case, and getting a glimpse into what justice in the future might be like. The immersive experience aimed to get people thinking about the consequences of trusting machines with our thoughts and biases. And all through the brandishing of LED lights and making friends with a slightly sarcastic A.I.

The Audience discussion theatre bristol
“I, for one, welcome our new AI overlords” proclaims controversial, yet out of shot, audience member, to everyone’s amusement. | Image: Nick Moylan

After the interval, the energised group began a passionate discussion with a panel consisting of:

  • Dr Sabine Hauert, Lecturer in Robotics at the Bristol Robotic Laboratory
  • Andrew Charlesworth, Reader in IT & Law at the University of Bristol
  • Dr Rosie Clark, Research Associate in Experimental Psychology at the University of Bristol
  • Antony Poveda, Producer for Rising Ape Collective and member of the cast.

Together the experts and audience discussed how far we are willing to trust algorithms with important decisions, personal experiences of the effectiveness of juries, and how little society is aware of the companies behind the technology we give data to. The engaging and highly productive session was filmed and we’ll be publishing the full video later in the New Year.

This production of The Audience was also incredibly valuable from our viewpoint. Learning from the performance at Green Man, we took the opportunity to tighten the script, take advantage of the new venue to really up the atmosphere (the mist certainly helped a bit there), choreograph new immersive moments, and, best of all, discover how well the performance works as a stimulus to get an audience talking with experts about these timely issues.

Want to experience The Audience for yourself? Follow us using the button below and look out for news of performances in 2017, as well as the film of the panel discussion, coming soon.

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